Archive for May, 2011

Canon T2i Slow Motion (part 1)

This past weekend I had a chance to get some R&R kayaking on the Arkansas River and shot some footage.  The goal is to figure out a slow motion workflow that works well for me, for whitewater.  This is the effect that came from using After Effects Time Re-mapping solely with pixel motion blending.

T2i Slow Motion Kayaking from Chadwick Shoults on Vimeo.

Later on, I am going try time warp as well as the popular Twixtor plugin to see how they all fair next to each other.  I think this will work well so long as I don’t go as “extreme” with the slow-mo.  Anyways, this is a rough super slow motion test using the following in camera settings:

Recognize and Fix Distorted Video in Final Cut Pro

Ok. Here is the problem -

We have a great shot in an edit from “The Searchers” but it was incorrectly transcoded, inserted into an edit or just misinterpreted by Final Cut Pro.  How do we know it is wrong?  Because people are taller and skinnier than they should be!  Your eyes have been studying how things should look since you were 2 years old.  Something should pop out at you and say – “Hey that looks funny“.  Another way to spot this error is to look for things that should be circles.  Are they still circles?  If not, there is definitely a distorted aspect ratio that MUST be fixed in order to be taken seriously as an editor.

So now that you spotted something wrong, here is how you fix it:

  • Double click to load the clip in the viewer
  • Click on the motion tab and go to the distort, “aspect ratio” brick
  • Use one of these “magic” numbers to resolve proper resolution. -33.33, 0, or 33.33
  • Try each of the “magic” numbers until it looks correct.  99 times out of 100 one of these will be the perfect adjustment to viewing the shot how it was supposed to be viewed.  For that 1 other time, well adjust till it looks like the real world in your eyes.

After adjusting the famous Searchers clips above to -33.33 you can see that things are more the way things are in reality.  This keeps us from thinking in the back of our minds – “hey that looks funny”.

One final side tip is this.  If you are unsure about if it is wrong, then try one of the “magic” numbers and see if it gets more or less pleasing to you.  If all of the adjustments are worse, then you were good from the start.

Happy wide-screening!

5 Reasons: I Love Aperture 3

Over the past 10 years, I have been using digital cameras and have accumulated well over 100,000 photographs (and I’m a video editor!).  The photos have been managed with folders, several versions of iPhoto, and most recently Picassa – not the web gallery.  Over time I became pretty disorganized with many duplicates, wasted ram and slow viewing in iPhoto due to “Faces”.  So – I finally upgraded, I purchased Aperture 3 from the app store for $80 and can’t be happier this morning.

After doing all of these sub-par workflows in the past, I figured there might be some other late bloomers (like me) to the world of Aperture 3.  Here is why I love it.

  1. It can handle all of my 100k+ photos without slowing down much at all (probably because I can disable faces and locations, unlike in iPhoto).
  2. It has 2 built in backup methods.  One on import, duplicating photos to a drive of your choosing.  Another in a vault, which is basically a time machine specifically for your Aperture library – LOVE IT!  I am now a self-declared backup junkie.
  3. Processes and works with RAW photographs very easily, the same as jpegs (just a tad slower).
  4. Stacks!  It uses a system called stacks to compare 2 images and pick the best one from a series.  Many times I’ll shot 10 shots of my son, just to get one.  This is a great way to pick the best select.
  5. Adjustment Tools.  Aperture 3‘s adjustment tools are all I would ever want to make non-destructive edits to my photographs.  I have been using Photoshop for about a decade and the tools Aperture borrows from Photoshop are the only one’s I ever use for photo work.  The huge bonus here is it saves your hard drive space by just making small text file indicators that reference the main image to make the versions.  Shortly put – you could make 10 versions of a single photo and it not take up more than a few kilobytes!  Awesome!
How do you manage your photo library?
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