Archive for October, 2011

DIY – Macro Light Tent for Shooting Seamless.

DIY Light Tent

My wife and I have finally finished cleaning out the basement of all our old and unused junk.  I also had a Saturday of not much to do.  So, it was DIY time!

Earlier this year I came across a great post on one of the best photo blogs out there – The Strobist.  The tip was how you can build a quick and cheap (those that know me, know I love cheap) light tent.  I have space now.  And I have empty boxes.  What’s a guy to do?

I grabbed a standard large size moving box.  I think it was about 18 inches cubed or so.  Then cut out the walls on 3 of the 6 sides.  You want to keep the bottom and a side wall to keep it rigid.  The top should also be open – this is your shooting hole and the flaps are flags.  Then, duck tape it up so your wonderful cats don’t tear it up.  Now cut 3 pieces of white tissue paper and tape over the new holes you cut out.  Place a shiny sided poster board inside and bam!

Lightning DaQueen
97 Cent Studio!

Feel free to be creative and light however you want from the outside of the box.  Just be careful to not have 2 “sun’s” as I did in the Lightning McQueen shot here.

This is a fun way to spend a cold Saturday morning.

Compositing LCD Texture to Computer Screens in After Effects

First off, if you haven’t seen the documentary “Catfish” you really should rent it.  It’s a funny look at a quirky love story that developed over Facebook.  Because a lot of the communication of that film happens with computer screens, they decided to do something cool to give it texture.  It’s almost like a color grade for computer screens.  I love the way it worked in the film so I had to figure out how to do it myself.

I tried shooting close ups with a video camera of LCD screens, which doesn’t give you much control.  We also tried using a simple grid created in photoshop and composited that which also didn’t look real.  Anyways, it turns out there is a great script available from aescripts.com that does just the job (and really good to boot).

LCD effect can be downloaded here and is a simple file script that runs in After Effects.  The only tweak that I recommend is to also place a copy of the “computer screen” image on top of the effect stack and dial the transparency to 90% or so.  This will give you the desired texture, but still make it legible.

Thank you to llcheesell for making this so easy for everyone!

Magic Lantern for Canon DSLR Video Tutorial – Why and How…



This is a quick 3 minute walkthrough of installing the latest (October 2011) version of Magic Lantern for Canon DSLRs. The link to follow, bookmark, and download from is:

magiclantern.wikia.com/​wiki/​Unified

With these more recent versions you DO NOT have to go through the process of making cards bootable, because what you place on the card does that for you now. This makes it super easy for anyone with a card reader to install and benefit from. This unified build works on the Canon 50d, 60d, 550d (shown in the video, aka T2i), and 600d. The 5d mkII also has a build, but it is different from the one shown in this video.

Make sure you also read the instructions and manual that are in the downloaded zip package. If you are running an old Canon firmware you will likely need to update that first.

Apologies for the nasty looking out of focus Flip cam footage, but you get the idea.

Huge thanks to Alex for making this tool so easy to use and useful.

vimeo.com/​alexml

Here is where you can follow Magic Lantern on Twitter for the latest updates -

twitter.com/​#!/​autoexec_bin

Downloading Video with Firebug

Learn how to download video from websites that give you permission.


 
This is a tip that I received a couple of years ago from engineers at Justin.tv and I use it very frequently. The limitations are basically the big video sites. Those include ABC, Fox, Netflix, Youtube, Hulu, MTV, etc… Those sites are either streaming or mask the location of the served video. Either way it shouldn’t matter, because you don’t have a right to any of the programs on those sites.

This technique works particularly well with swf video players. The URL for the firefox add on is:

https://addons.mozilla.org/en-US/firefox/addon/firebug/

Braxton’s 1st Corn Maze

5 things that make FCPX…well – Cool!

It seems that all I keep hearing on Twitter and Facebook is that Final Cut Pro X sucks.  It’s iMovie Pro.  It’s not letting me work like a “pro”.  It won’t let me work accurately or fast.  Bahhumbug Scrooges.  FCPX is here, it’s big, and it’s going to be much bigger.  It’s time to stop whining and LEARN what it CAN DO for you.

Here are my top 5 reasons why I think Final Cut Pro X is already awesome in its’ infant state.

  1. You can edit video without touching a mouse.  By simply using command + 1 or 2 you jump between the footage and timeline.  You can press up and down arrows to navigate and load footage into the viewer/canvas.  Then using the insert, overwrite, append, and connect commands you can build your rough story very fast.
  2. You can EASILY offline to online your projects for working on the road with an older laptop.  7 years ago I remember doing DV offlines and going back to online the show with uncompressed 10 bit SD from the DigiBeta source.  This sucked!  It was a technical challenge that made for less time making a great video and more time focussing on technical patching (and finding source tapes).
  3. The inline precision editor and the collapse of the rip, roll, slip, slide tools into 1 – T.  This one you can’t explain, just use it and you will see why it’s so great.  Finally a great way to visually trim with an Apple editing tool.
  4. The audio effects and plugins taken from Soundtrack Pro make it easy to make quick fixes on the fly.  The most important of these for me is the limiter.  For projects with voice over, which is 99% of the programs I edit, the limiter is my savior for my primitive mixing skills.  Sample by sample, it allows me to even out the vo talent read so I have a consistent level to work with against the music and nat sounds in the video.  I have recorded using a cheap snowball microphone and used this limiter.  Many people can’t tell the difference in this and a sound booth when mixed.
  5. Forcing a clean timeline with it being “magnetic” by default.  I can’t count how many times I have inherited a “dirty” project.  While there are some editing sins that should never be committed (like linking media from a desktop), others are more vague to younger editors.  For me, this is timeline organization.  Final Cut Pro X collapses down all of those would be empty tracks and uses them only as needed.  I don’t need to see 8 tracks with different clip options stacked on top anymore because they invented auditioning.  This is a huge leap forward for collaborative editing.  It forces organization.

Best of all is that you can try all of this out for yourself for 30 days for free.  After that if you like it enough you can buy it for only $300, instead of over a grand on competitors software.  Now, all this being said, am I going to purchase Final Cut Pro X after the trial is up?  No.  There are still a few shortcomings that I want in there and will be fixed soon.  Though overall I think it is a great start and only going to get better.  Why not try it?  You might like a new way of thinking and working.

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