Archive for the ‘ Photography ’ Category

Playing with the Canon 70-200 F4 L

I had the pleasure of having a relaxing, family oriented weekend just recently so I thought it would be fun to try out my new Canon 70-200 in my studio.  So far, I’ve only made a few hundred exposures with this lens and an hour or so of video, but I love it!  It is one of those less talked about 70-200 lenses, but offers incredible image quality.  Here is an example -

Canon T2i/550d with the 70-200 F4 L lens.  1/200th second, f/10, at ISO 400, 109mm.  Shot on tile board with 2 off-camera flashes.
Hangin' Out

Final Cut Pro 7 to X

Probably the biggest thing missing in the stock version of Final Cut Pro X is the ability to bring in old projects for revisions or repurposing.  Philip Hodgetts at assistedediting.com and his team built an amazing little app that converts your old legacy projects into the current version (10.0.3).  While I’m still confused how apple hasn’t purchased this software from them, I’m glad a small shop can leave such a huge impact on our industry.  Here is the link.

Take 2 minutes and see how easy it is to move old shows forward with FCPX.

Build a DIY Backdrop Stand for Photography and Video

Let’s face it, it’s freakin cold out in the winter.  And when it’s cold out, who wants to spend a lot of time shooting outside?  Hmmm, not me.  If it’s below freezing the only way I’ll be outside is if I have some skis strapped to the bottom of my boots.  That is what led me to build a studio in my warm cozy basement.  The total cost of building this backdrop stand was about $40 at the Home Depot.

Supplies Needed:

  • 2 – 3/4″ steel conduit (10 foot sections).  Use one as top crossbar at full length and cut the other one in half.
  • 1 – 1″ steel conduit (10 footer).  Cut it in half.
  • 2 – 8 foot 2×4′s
  • 2 – 3/4″ steel conduit corner pull elbows.  These join the vertical conduit to horizontal conduit.
  • 4 – 1″ conduit wall mounting brackets.  This secures the vertical conduit to the wood base.
  • 2 – 3/4″ conduit wall brackets.  This is the height adjuster.
  • 24 – Wood Screws to hold both bases together (12 each).

 

 

Stand Base

To make full use of 2 cheap 2×4′s, I cut them for the base feet like this.  32″ front to back with 12″ cross legs at the ends.  It has a 16″ vertical support and about an 11″ 45 degree cross support making it more rigid.  2 wood screws are drilled into each joint which makes the stand pretty bomber.  Slide a 5 foot section of the 1″ conduit into each base.  The conduit is held by 2, 1″ wall mounting brackets.


Backdrop Stand Angle

Adjustable Height

Here you can see why I used a 3/4″ and 1″ diameter conduit.  The 1″ sits below and the 3/4″ slides inside it like a sleeve and you can adjust the height as needed.  You lock off the height by tightening down the 3/4″ wall bracket and it will act as a stopper.

Corner Pull Elbow Joint

Finally, the long 10 foot 3/4″ cross bar is connected with what is called a “corner pull” elbow.  They are built specifically for this 3/4″ size and tighten down with supplied screws.

Backdrop Stand Front

The final stand is probably as strong as you can get without shelling several hundred on a pair of C-Stands.  It is 10 feet wide and can easily go up to 9 feet tall.  I have had toddlers running crazy in my basement with no fear of anything falling.  Now, I have no more excuses for not creating awesome visual content and neither do you.

Make something awesome!

Starting Fresh in a New Year

In her father's hands1/200th sec, f/2, ISO 100, Canon 50 1.4, with wireless flash camera right

I know I’m a tad late on this, but thought what better place to toss out some goals of mine publicly and see how many stick come December 2012.  I got to spend the holidays in Plano with my family and meet my brand new niece (above) the day after she was born.  She is far cuter than any video or image can resemble.

Now onward with some goals:

  1. Become a better Husband and Daddy.  Simply put, to get to know my beautiful wife and smart son better than I ever have by spending lots of quality time together.
  2. Lose 50 pounds as usual.  ;)
  3. Create a real demo reel for the first time since I started in post 8 years ago.
  4. Write-Shoot-Edit 1 short film.
  5. Make at least 1 photograph a week all year.  iPhone doesn’t count.
  6. Shred pow on at least 1 +12″ day this season.
  7. Kayak the Numbers at med-high flow.
Here’s to a new year with new possibilites!  PS-  this was all typed with my left hand, more on that to come.

Photograph Like a Sniper with a Shotgun – Tips for shooting kids

Braxton Charles

Ok.  Maybe I’ve been playing too much Modern Warfare 3 lately with the sniper reference. Regardless, I’ve come across several rules of thumb when it comes to shooting kids this past year that I thought might benefit some of you with children.

  1. Shoot like a sniper with a shotgun.  What I mean is be prepared.  Always prepared.  And make sure your lens can get a wide spread.  Then wait for it, wait for it – shoot.  BAM!  Take less shots that are more filled with meaning and personality.  If you shot wide enough and you have a decent camera you can crop to your delight in post.  Long lenses and fast shutters are for sports and fashion.  Not kids!  You want to be up close and on their level.  After you got the shot, be done.  Stop shooting or you’ll just be testing their patience.  The photo at the top was a 1 shot, 1 kill shot.  (F/5.6, 1/200th, Canon T2i with 18-55 kit lens at 39mm, ISO 100, 2 flashes at 1/2 power.)
  2. Be a comedian.  I think there is a lie that kids don’t like to get their pictures taken.  The truth is, kids don’t like to not have fun.  So make a quick photo session as fun as playing with his toys or watching her favorite show.  The more you talk to and interact with your kids when you photograph them, the more likely you can represent them accurately in pixels.  Resist the urge to closely inspect every shot on the back of the camera.  Keep them active and happy by making them tell stories or laugh with them.
  3. Shoot fast!  Face it.  Kids are moving targets.  I have wasted thousands of photos learning this the hard way with unusable images.  1/200th of a second is probably my go to shutter speed most of the time when shooting my son.  Any slower than this and I risk getting unintended motion blur or camera shake, even with an IS lens.  1/200th is also the fastest I can shoot with my external flashes without seeing the black curtain in the exposures.  For sports, I’d probably go up to 1/1000th as a minimum.
  4. Stop down!  Again, face it.  Kids are still moving targets.  Shooting at f/1.4 with a toddler just doesn’t work, period.  The area in focus (depth of field) is such a tiny sliver that I’d say 95 times out of 100 I’d miss focus.  I have had some luck at f/2.0, but that was a lucky shot.  Most of my shots become more consistant at f/2.8 and up.
  5. Don’t sweat technical details.  I think there are really 2 things that matter when making a photograph of a child.  When I think about these two things, I make my best images.  1 – Expression, capture the right moment.  It will only exist once like that.  Good news is if you miss it like I do, there is another expression right around the corner.  2 – Focus, if he or she is super blurry it’s pretty much as if it didn’t happen.  With any modern autofocus camera this should not be a problem if you stop the lens down a little.  Nail these two and in my book, it’s a keeper!

For me, photographing kids and babies is incredibly rewarding and fun.  You get the chance to document a person when they are at such a brief phase in their life.  You can’t ever make the same photo twice and every moment gives you new challenges to overcome.  Take more pictures of them more often.  Most importantly have fun.  If you do, they will too.

DIY – Macro Light Tent for Shooting Seamless.

DIY Light Tent

My wife and I have finally finished cleaning out the basement of all our old and unused junk.  I also had a Saturday of not much to do.  So, it was DIY time!

Earlier this year I came across a great post on one of the best photo blogs out there – The Strobist.  The tip was how you can build a quick and cheap (those that know me, know I love cheap) light tent.  I have space now.  And I have empty boxes.  What’s a guy to do?

I grabbed a standard large size moving box.  I think it was about 18 inches cubed or so.  Then cut out the walls on 3 of the 6 sides.  You want to keep the bottom and a side wall to keep it rigid.  The top should also be open – this is your shooting hole and the flaps are flags.  Then, duck tape it up so your wonderful cats don’t tear it up.  Now cut 3 pieces of white tissue paper and tape over the new holes you cut out.  Place a shiny sided poster board inside and bam!

Lightning DaQueen
97 Cent Studio!

Feel free to be creative and light however you want from the outside of the box.  Just be careful to not have 2 “sun’s” as I did in the Lightning McQueen shot here.

This is a fun way to spend a cold Saturday morning.

Magic Lantern for Canon DSLR Video Tutorial – Why and How…



This is a quick 3 minute walkthrough of installing the latest (October 2011) version of Magic Lantern for Canon DSLRs. The link to follow, bookmark, and download from is:

magiclantern.wikia.com/​wiki/​Unified

With these more recent versions you DO NOT have to go through the process of making cards bootable, because what you place on the card does that for you now. This makes it super easy for anyone with a card reader to install and benefit from. This unified build works on the Canon 50d, 60d, 550d (shown in the video, aka T2i), and 600d. The 5d mkII also has a build, but it is different from the one shown in this video.

Make sure you also read the instructions and manual that are in the downloaded zip package. If you are running an old Canon firmware you will likely need to update that first.

Apologies for the nasty looking out of focus Flip cam footage, but you get the idea.

Huge thanks to Alex for making this tool so easy to use and useful.

vimeo.com/​alexml

Here is where you can follow Magic Lantern on Twitter for the latest updates -

twitter.com/​#!/​autoexec_bin

Braxton’s 1st Corn Maze

To Infinity and Beyond

To Infinity and Beyond by Chadwick_Paul
To Infinity and Beyond, a photo by Chadwick_Paulon Flickr.

469 Stacked Images. 30 sec exposure, F/2.8, ISO 400, 11mm, Canon T2i

Focus is set to hyperfocal (just over 7 feet). White balance to tungsten.

This series taught me to not stack things that move (like aspen tree leaves). Otherwise I think the settings are getting dialed.

Grand Prismatic Spring

Grand Prismatic Spring by Chadwick_Paul
Grand Prismatic Spring, a photo by Chadwick_Paulon Flickr.

The Grand Prismatic Spring shown here in Yellowstone National Park is the largest hot spring in the United States, and the third largest in the world. It is 160 feet deep and is also 160 deg F. For some reason it seems to give you and electric shock when you touch it.

It’s rad.

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